Gary Myrick was once the go-to artist for television news station — millions regularly viewed his work on the networks.
Starting with the Dallas school desegregation trial in 1976, he sketched courtrooms that featured famous politicians, serial killers, professional athletes, international arms merchants, housewives-turned-killers, victims’ families, rapt juries and napping judges — all rendered with an empathetic gaze and understated wit. His work conveyed the tragedy and folly of the courtroom experience, while avoiding sentimentality and snap judgments about his subjects. His human touch captured what cameras never could.
